
Elana Herzog creates
installations of torn, frayed fabrics, which have been stapled into the wall
panels using staple guns. Her work is mainly focused on exhibitions and gallery
work, which is my focus for the future. I like the effect this creates as it
creates interest into how it is made, and constructed. I have started to do
this within my own samples. One particular sample I created on the sewing machines
using only straight stitch, building up the layers created an entire scratchy
surface. At first look, it was difficult to tell what stitch I had used. I find
this interesting allowing the viewers to get involved and have a closer look at
my work to find out how they were made. This is something I would like to
develop in my work as I progress in the future as a practitioner. This may lead
me to start looking at artists who actively get the audience involved in their
work within the exhibitions, giving the audience more creativity and excitement
from the work they are looking at.
The final artist I looked at is Vasilj Godzh, an illustrator
who uses pattern to influence their work.
He creates large pieces for galleries and interiors. His work is strong and bold in the shape and
pattern; this is helpful to my work as, my personal theme of reflecting DATA is
based on shapes and circular rhythms. Godzh has done many pieces on the
circular motions and spiralling patterns so I found his work inspiring. Using the darning foot on the machines I was able to create strong stitched circles throughout my work.
I feel all the
artists I looked at in my Sampling project are all gallery-based artists who
create fine art work. It is now clear to me that this is most likely my main
direction which I will progress down, in the future as a practitioner. However,
I would like to involve myself in collaborations that would allow me to have an
insight into the fashion and interior sections of textiles.
PHOTOGRAPHS TAKEN FROM
www.brookssalzwedel.com www.elanaherzog.com/ ttps://www.behance.net/artgoodly
No comments:
Post a Comment